Date/Time
Date(s) - 01/Nov/2015
Genre - Chamber orchestra
Yete Queiroz, mezzo soprano
Jean Michel Dayez, piano
Pierre Fouchenneret, violin
Mathilde Borsarello Herrmann, violin
Gauthier Herrmann, cello
Marie Chilemme, viola
Yann Dubost, doublebass
Florent Pujuila, clarinet
Aude Giuliano, accordion
Joël Lasry, french horn
Fleur Grüneissen, flute
Programme 31st Oct.: Brahms: Trio Op. 40 for horn, violin and piano; Sibelius: Valse triste Op. 44 No. 1; Mahler: Lieder eines fahrenden Gesellen and songs by Gershwin, Weill and Lowe
Programme 1st Nov.: Bruckner: Symphonie No. 7; Falla: Nana, Montsalvage: Cancion para dormir a un negrito, Yamambo and Zarzuela: Cancion de la Paloma de el barberillo and carceleras
The philosophy of the Arties Chamber Orchestra is to perform special arrangements for a chamber group of huge orchestral works which are not possible to perform without having the resource of a big orchestra and several rehearsals. Such music was arranged for special performances at the Society for Private Musical Performances in Vienna which was founded by Arnold Schoenberg. The Society was dedicated to performing contemporary music at the highest possible level and included big orchestral and choral works like those of Mahler and Bruckner. The prospectus read “while the Society does not presently have the means to perform them in their original cast, for the time being, they can be reproduced only as arrangements for chamber orchestra (string quintet, piano, harmonium, flute, clarinet, etc.)” .
Mezzo-soprano Yete Queiroz has appeared in concert all over France in Toulon, Marseilles, Lyon, Aix-en-Provence, Opera Comique Paris and has sung many important roles including that of Carmen. She regularly appears in oratorio and song performances and is invited to perform for important events at museums and embassies.
